PARIS (National Times) \u2014 The pioneering Black performer Josephine Baker \u2014 who left the United States to find global fame in Paris in the 1920s \u2014 was Dior\u2019s muse for an old school spring couture collection of archetypal classicism.<\/p>\n
With her caressing velvets and silks, embroideries, sequins and tiny silver studs, designer Maria Grazia Chiuri may not have reinvented the wheel, but she certainly embellished it beautifully on the first day Monday of Paris Fashion Week.<\/p>\n
Yet the event\u2019s first day wasn\u2019t without controversy after Dior was criticized for inviting a Russia influencer sanctioned by Ukraine. Moreover, Schiaparelli was the subject of online ire for glamorizing trophy hunting after featuring a fake lion\u2019s head.<\/p>\n
Here are some highlights of the first day of spring-summer haute couture displays:<\/p>\n
DIOR\u2019S BAKER<\/p>\n
Lining the perfume-scented interiors of an annex inside the Rodin Museum gardens were giant images by African American artist Mickalene Thomas of Baker alongside other female Black American icons.<\/p>\n
The stark tableaux photographs documented Baker\u2019s extraordinary life and her many roles: as member of the French Resistance, civil rights activist and humanist as well as dancer and performer.<\/p>\n
Guests took their seats, curious and excited.<\/p>\n
According to Dior, a series of coats, a take on bathrobe styles depicted \u201cthe cozy, intimate dressing room that precedes (Baker\u2019s) entrance on stage.\u201d In couture terms they were undeniably beautiful, if somewhat restrained. The first came in silk velvet; its black diamond lapels hung with a dramatic weight. It was worn over delicately smocked satin swimwear in a take on the 1950s. Elsewhere, knit-like mesh made of silk and steel beads cut a fine vintage style on one ensemble, while also evoking a quiet female power. It was worn on a gleaming, crushed velvet evening robe to suggest intimacy.<\/p>\n
Later, Chiuri slightly let her hair down and got her fringe on. Baker\u2019s heyday was evoked in a steel beaded mesh skirt trimmed with sparkling fringe.<\/p>\n
Although the theme created an expectation the Dior clothes themselves may offer some powerful exploration of racism or being Black, the collection itself remained very Parisian. It was only a veiled homage to the Black pioneer who fought battles against race, gender and nationality all her life.<\/p>\n
That being said, it was admirable how many models of color walked the show \u2014 in over half the 60 looks \u2014 especially because of the fact Paris Fashion Week, and the luxury industry as a whole, have wrestled with persistent accusations of being white-centric.<\/p>\n
MAISIE WILLIAMS PLAYS DIOR\u2019S SISTER<\/p>\n
\u201cGame of Thrones\u201d star Maisie Williams looked every bit the part posing against images of stars such as Eartha Kitt, Nina Simone and Baker with pixie hairstyle and Dior bustier to flashes of photographers\u2019 lenses.<\/p>\n
Williams called coming to the show \u201csuch a dream,\u201d in part because she has just played Dior\u2019s sister, Catherine Dior, in the highly anticipated Apple TV drama series \u201cThe New Look\u201d \u2014 which centers on the bitter rivalry between the couturier and Gabrielle \u201cCoco\u201d Chanel.<\/p>\n
Williams, who found fame playing the feisty Arya Stark, told The Associated Press that \u201cI find the Dior woman to be something to really aspire to,\u201d calling the clothes \u201cpowerful\u201d for women.<\/p>\n
\u201cThe women that I love to play have qualities that align,\u201d she said.<\/p>\n
SANCTIONED RUSSIAN INFLUENCER INVITED<\/p>\n
Dior provoked criticism online for extending a Paris couture show invitation to a Russian TV presenter called Yana Rudkovskaya, who was sanctioned by Ukrainian President Volodymyr Zelenskyy on Jan. 15 on a list of cultural figures and propagandists who were suspected of supporting Russian President Vladimir Putin. Other houses have reportedly refused to allow Rudkovskaya, who is an influencer, into their shows.<\/p>\n
Rudkovskaya posted a photo of her Dior couture invitation on Instagram. Some journalists asked how many \u201cother sanctioned Russians are attending Paris Haute Couture?\u201d<\/p>\n
SCHIAPARELLI MAKES SURREAL TWISTS<\/p>\n
Glamorous frivolity, exaggerated silhouettes and surreal takes on classics harking from the 1930s heyday of house founder Elsa Schiaparelli.<\/p>\n
That was the mood at the first spring-summer couture show of the season \u2014 and what a start! \u2014 with its lashings of gold, intricate embellishments and rollcall of front row VIPs inside the lofty gilded atrium of the Petit Palais.<\/p>\n
Designer Daniel Roseberry was on top form Monday \u2014 taking classical styles and giving them unexpected twists. A dark tuxedo with stiff oversize shoulders was transformed into a minimalist, space-age jumpsuit.<\/p>\n
A bronze bustier reimagined as a giant oyster shell rose up like a fan that obscured the model\u2019s face. Its incredible pearl embellishments were rendered in organic, crystallized layers showing off the deftness of the house atelier.<\/p>\n
Myriad embellished baubles \u2014 almost resembling wet pearls \u2014 organically dripped off a blown-up bolero jacket that cut a beautiful silhouette, and had perhaps belonged to some underwater princess.<\/p>\n
Yet the collection was also reverential to the house founder whose unique brand of frivolity charmed audiences around the world. A giant lion\u2019s head \u2014 replete with fangs and bushy mane \u2014 modeled by Irina Shayk added a bite to this collection. It was an inventive nod to Surrealism, but also a statement about the absurdity of the use of fur.<\/p>\n
Kylie Jenner, who sat front row at Schiaparelli also wearing a 3-D lion\u2019s head and a gold snakeskin bag, was later criticized online amid accusations of glamorizing animal cruelty.<\/p>\n
IRIS VAN HERPEN GOES DIGITAL<\/p>\n
Against the grain of Paris Fashion Week, which is turning its back on digital, Dutch Wunderkind said of her latest couture offering that she \u201cis proud to announce that… instead of a traditional runway show, the brand shows a digital presentation that allows for more creative freedom and storytelling.\u201d<\/p>\n
An in-person presentation accompanied the collection film \u201cCarte Blanche,\u201d in which she teamed up with a French artists called Julie Gautier \u2014 exploring how female beauty can be used as a form of control.<\/p>\n
A limp red dress, with sinews revealing inches of flesh, resembled a poisonous sea creature, while interlocking circles evoked spiky but precious coral. Billowing blue and silver portions of generous fabric on a gown flowed like an underwater generous \u2014 touching on the signature organic inspiration from the award-winning couturier who has designed for artists such as Bjork.<\/p>\n
VALLI GIRLS IN BLOSSOM<\/p>\n
Spring was truly in the air at Giambattista Valli, whose powder pinks, canary yellows and pale turquoises mixed with the wafting floral perfume to crown this season gloriously.<\/p>\n
In this collection, the lauded Italian couturier lopped off elements of the classical wardrobe or else made unexpected takes on gowns.<\/p>\n
A regal ballgown that ballooned with voluminous whooshes, sleeves and train, was imagined shoulderless and revealed inches of leg. An exaggeratedly proportioned mermaid down flared out dramatically from the knee \u2014 ready for a spring wedding. It a nice disruption to the style, it was twinned with a stiff sleeveless crop top that revealed the midriff in a sporty way.<\/p>\n
Flowers were also a touchstone.<\/p>\n
Cuffs were embellished in giant roses, which reappeared in another look above the shoulder as if to cushion the model\u2019s head. While, teeming embroideries and tulle banding accompanied stylized hair to evoke a take on Arabic dress \u2014 with the ubiquitous giant pearl earrings seeming to evoke the famous ancient traditions of Kosovar brides.<\/p>\n","protected":false},"excerpt":{"rendered":"
PARIS (National Times) \u2014 The pioneering Black performer Josephine Baker \u2014 who left the United States to find global fame in Paris in the 1920s \u2014 was Dior\u2019s muse for an old school spring couture collection of archetypal classicism. With her caressing velvets and silks, embroideries, sequins and tiny silver studs, designer Maria Grazia Chiuri […]<\/p>\n","protected":false},"author":1,"featured_media":55322,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-55319","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-health","entry"],"yoast_head":"\n